Project Kleros

Artists deserve to be paid for every play.

We make sure they can prove it.

A data layer that tracks what’s played, where, and how often — so artists can claim what they’re owed.

The Problem

Music gets played everywhere.But not all of it gets counted.

DJs play tracks that never get logged

Venues don’t consistently report usage

Data sent to collecting agencies is incomplete or delayed

Artists rely on systems they can’t verify

If it’s not recorded, it doesn’t exist.And if it doesn’t exist, it doesn’t get paid.

Photo of rows of books in a library with marble busts.

Who this is for

Artists & Producers

Whose music is being played, but not fully accounted for

Collecting Agencies

Who depend on accurate usage data to distribute royalties

DJs & Venues

Who are closest to the source of truth, but lack seamless ways to report it.

The Insight

The royalty system isn’t broken because of intent. It’s broken because of missing data.

The people who generate the data (DJs, venues) and the people who need it (artists, agencies) are not connected in a reliable way.

The Solution

We’re building a verification layer for music usage.

A system that:

Captures what tracks are played

Logs when, where, and how often

Creates a verifiable record of usage

Turning real-world plays into trusted data

info@projectkleros.com

Project Kleros

Artists deserve to be paid for every play.

We make sure they can prove it.

A data layer that tracks what’s played, where, and how often — so artists can claim what they’re owed.

The Problem

Music gets played everywhere.But not all of it gets counted.

DJs play tracks that never get logged

Venues don’t consistently report usage

Data sent to collecting agencies is incomplete or delayed

Artists rely on systems they can’t verify

If it’s not recorded, it doesn’t exist.And if it doesn’t exist, it doesn’t get paid.

Photo of rows of books in a library with marble busts.

Who this is for

Artists & Producers

Whose music is being played, but not fully accounted for

Collecting Agencies

Who depend on accurate usage data to distribute royalties

DJs & Venues

Who are closest to the source of truth, but lack seamless ways to report it.

The Insight

The royalty system isn’t broken because of intent. It’s broken because of missing data.

The people who generate the data (DJs, venues) and the people who need it (artists, agencies) are not connected in a reliable way.

The Solution

We’re building a verification layer for music usage.

A system that:

Captures what tracks are played

Logs when, where, and how often

Creates a verifiable record of usage

Turning real-world plays into trusted data

info@projectkleros.com

Project Kleros

Artists deserve to be paid for every play.

We make sure they can prove it.

A data layer that tracks what’s played, where, and how often — so artists can claim what they’re owed.

The Problem

Music gets played everywhere.But not all of it gets counted.

DJs play tracks that never get logged

Venues don’t consistently report usage

Data sent to collecting agencies is incomplete or delayed

Artists rely on systems they can’t verify

If it’s not recorded, it doesn’t exist.And if it doesn’t exist, it doesn’t get paid.

Photo of rows of books in a library with marble busts.

Who this is for

Artists & Producers

Whose music is being played, but not fully accounted for

Collecting Agencies

Who depend on accurate usage data to distribute royalties

DJs & Venues

Who are closest to the source of truth, but lack seamless ways to report it.

The Insight

The royalty system isn’t broken because of intent. It’s broken because of missing data.

The people who generate the data (DJs, venues) and the people who need it (artists, agencies) are not connected in a reliable way.

The Solution

We’re building a verification layer for music usage.

A system that:

Captures what tracks are played

Logs when, where, and how often

Creates a verifiable record of usage

Turning real-world plays into trusted data